I have worked in a variety of mediums — oil, Chinese brush painting, ceramics, porcelain and sculpture — but now find my direction in calligraphy.
Having discovered the uniqueness of watercolour in Singapore when I learned Chinese brush painting, I continue to be challenged by the nuance and mystery of watercolour’s transparency. Being primarily a watercolour artist, I have evolved into calligraphy, which incorporates my love of letterforms and water-based mediums. I have been privileged to study with some of the most renowned calligraphers in the United States.
Art has helped me transcend all major transitions in my life, especially through the loss that accompanies death and change. For the past fifteen years I have found solace painting watercolours of monumental sculptures. I feel compelled to give life to these silent and unmoving figures of stone and metal as a tribute to their strength. These monuments often stand as lone guardians of our precious loves, and testaments to forgotten sacrifices. They stand unchanged when all we know is threatened, compromised, or destroyed.
I work in watercolour, an unforgiving medium — as is loss.
I enjoy the use of water as a colour itself, as well as the ethereal quality revealed in the white of the paper. Choosing a fluid medium to represent solid mass is a paradox. Scale has added an additional challenge but has brought more reality to my figures. I often use hot press paper, which allows me to stain the entire surface of the sheet and then lift colour — contrasting whites with darker pigments, allowing a positive image to emerge from the negative field; finding the mystery within.
Weather etches a monument’s surface as its canvas, with lichen, erosion, mildew and oxidation. The motionless statues challenge me to find a narrative through light, angle, space and their aging surface. Human life may be transitory, but together, the statues and I face the constant friction of change while resolving to remain strong and calm. I owe them the tribute of my canvas, as one way of thanking them for their healing balm.
— Peggy Williams